It’s all a matter of preference, Silvio. I actually enjoy working from a ‘stream of consciousness’ plot because it allows me to pace the story and, in my experience, many writers who write ‘full script’ will ask for complicated or unnecessary visuals because they are pacing the story with dialogue—some of which might be unnecessary with clearer visuals.
Oh.
I do get the point now.
I undertand that the advantage is to get more control of angles and all.
Thanks for the reply Mr Davis.
You are aways very kind.